Exhibition at the Kunsthaus Langenthal in collaboration with Yves Mettler
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The Laman Encounter is the output of an informal meeting between Gilles Aubry and members of the University Center of Missiology (CUM) in Kinshasa in July 2011.
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Movie without pictures based on a field research on the amplified religious soundscape of Kinshasa, DRC.
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Composition for the Acousmonium commissioned by the Kontraste Krems Festival 2011.
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Audio essay on the amplified soundscape of the Holly Ghost Congress of the RCCG church, Lagos, 2010.
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Industrial acoustic screen built for the "Art en plein air 2011" outdoor group exhibition in Môtiers, Switzerland.
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Exhibition consisting in nine new audio installations in dialogue with art works from the Reattu Museum collection.
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Installation in collaboration with Yves Mettler commissioned by the Kunsthaus Langenthal for the exhibition Das Dorf.
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Quadraphonic sound piece with Stephane Montavon commissioned by the Belluard Festival 2010.
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Audio installation based on surround-sound recordings of various locations at the Swiss-French border.
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Sound installation based on a sound recording captured on a stroll in the
streets of a popular residential area in the Town of Msaken in Tunisia.
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Network of sound installations in public spaces at the Swiss-French border.
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Composition based on recordings made inside several of the rooms of the Stralau 68 building, a former venue for experimental music in Berlin, now empty.
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This piece is based on audio material from Cairo, collected according to a principle of indirect listening.
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An immersion into the broadband sounds of reactors and the menacing atmosphere of tarmacs.
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This piece is based on airplanes sounds recorded from the ground of 3 cities – Berlin, Rome and Tel Aviv.
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Sound piece using the voice of an Egyptian artist talking about his feelings for airplanes sounds, in addition to field recordings from Cairo and other low frequency sounds.
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Composition for the Klangspeicher group exhibition at the Singuhr Hoergalerie, Wasserspeicher, Belforterstr, Berlin
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Sound installation in collaboration with Katarina Trub & Sebastien Dubugnon, commissioned by Gallery Basta, Lausanne.
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Experimental blog project in collaboration with Stéphane Montavon realised during a residency at the Pro Helvetia Liaison Office in Cairo.
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Sound composition based on field recordings of several backyards made in Berlin during the winter 2006.
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A wildlife soundscape based on the use of mole repellent systems solar cells and urban field recordings.
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The piece is built on two central ideas : the use of blogs published by american soldiers during the war in Irak as text material and a live performative work based on headphones transmission.
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Sound installation in collaboration with Soichiro Mitsuya. Espace d’Art Contemporain Les Halles, Porrentruy.
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Sound performance using vintage recordings of speeches by Swiss politician leaders in the 1970’s. Gallery Espace Noir, St-Imiers.
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At first with the trio Swift Machine and later in solo, Gilles Aubry researches about the limits between public and private spaces, visual and sonic communication, and hidden art actions in order to escape from conditioned behaviours.
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The flow ensemble filters, dismantles and recontextualizes contents of information streams and generates live, a sound stream, artistic propaganda standing for itself.
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SILICONATA is a generative composition for any type of improved music ensemble.
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