June 17 2017 – Public presentation, Trachsel Archiv, Passagenhaus Dalvazza/Küblis

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June 17 2017 – Public presentation, Trachsel Archiv, Passagenhaus Dalvazza/Küblis

        Audiosession Samstag, 17. Juni, 16–19 Uhr offen ab 15.30 Gilles Aubry, Karen Geyer, Marc Matter Gespräche, Live-Acts, Archiv-Stücke mit anschliessendem Essen Eintritt frei (Kollekte) Passagenhaus Dalvazza/Küblis Archiv, Bibliothek und Passagenhaus des Künstlers Peter Trachsel (1949–2013) bilden Ausgangspunkt und Gesprächsstoff im Treffen der drei Audiokünstler/innen, die abwechselnd und gemeinsam auftreten. Eine Veranstaltung ...

May 3rd 2017 – Presentation at Le Cube, Rabat

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May 3rd 2017 – Presentation at Le Cube, Rabat

Gilles Aubry and Zouheir Atbane will make a joint presentation of their research project on the Paul Bowles Moroccan Music Collection (1959). Le Cube art space, Rabat May 3rd 2017, 18h30 http://www.lecube-art.com   Partant de leurs recherches autour de la collection Paul Bowles de musiques marocaines (1959), Aubry et Atbane invitent le public à explorer ...

April 8 2017 – Premiere of “The Gramophone Effect” at documenta 14 inauguration in Athens

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April 8 2017 – Premiere of “The Gramophone Effect” at documenta 14 inauguration in Athens

“The Gramophone Effect”, a new sound piece made in collaboration with Robert Millis will be premiered at the inauguration of documenta 14 in Athens on april 8th, 1pm, as part of the Every Time A Ear di Soun program. The piece will be broadcasted on Cannibal Radio, SW 15560 kHz all over the world, FM ...

March 24-25 2017 – Live in London & Stuttgart

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March 24-25 2017 – Live in London & Stuttgart

March 24th, Stuttgart, venue TBA, w/ Pure Mania and Papiro March 25th, Cafe Oto, London, w/ Don’t DJ, Pure Mania, Fred Hystère, Valentina Magaletti  

February 24 2017 – Exhibition opening, Alhamra Arts Center, Lahore

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February 24 2017 – Exhibition opening, Alhamra Arts Center, Lahore

  The Exhibition “Digging Deep, Crossing Far_ 4th Encounter” will open at Alhamra Arts Center in Lahore. February 24 to March 3, 2017 Opening times: Daily from 9 am to 6 pm with Bani Abidi – Ayisha Abraham – Gilles Aubry – Jamil Baloch – Sarnath Banerjee – Nathalie Anguezomo Mba Bikoro & Anaïs Héraud-Louisadat ...

February 13 2017 – Artist presentation at UDK Berlin

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February 13 2017 – Artist presentation at UDK Berlin

13.2.2017 Artist presentation in the series “FAKTEN SCHAFFEN. Von der Kunst und der Wissenschaft des Dokumentierens” Poetiken und Politiken wissenschaftlicher Sound-Archive Kurzvorträge mit anschließendem Podiumsgespräch von Gilles Aubry (sound artist, Berlin) und Viktoria Tkaczyk (Max-Planck-Institut für Wissenschaftsgeschichte, Humboldt-Universität zu Berlin) Organized by the DFG-Graduiertenkollegs „Das Wissen der Künste“ Montags, 18-20 Uhr Universität der Künste, Berlin ...

January 12 2017 – LP release party and concert at Echo Buecher Berlin

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January 12 2017 – LP release party and concert at Echo Buecher Berlin

Record presentation, sound performance and screening by Gilles Aubry January 12 2017, 19h30 Location: Echo Bücher, Grüntaler Strasse 9, 13357 Berlin 19:00 – Doors 20:00 – Record presentation, live performance by Gilles Aubry, screening and discussion « And who sees the mystery », Gilles Aubry’s new record on Corvo, is based on sound check situations ...

December 14 2016 – Intermediary research presentation at University of the Arts, Bern

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December 14 2016 – Intermediary research presentation at University of the Arts, Bern

  Presentation in English and German at HKB, Bern, 17h.   Hochschule der Künste (KHB)Multifunktionsraum Schwabstrasse 10 3018 Bern Präsentation: Gilles Aubry (GSA-Doktorand und Klangkünstler) Gast: Prof. Dr. Johannes Ismaiel-Wendt (Universität Hildesheim) Moderation: Andi Schoon Host: Priska Gisler, Leiterin Forschungsschwerpunkt Intermedialität Listen, that’s us! Klangliche Repräsentation als Inszenierung Im Jahr 1959 verbrachte der amerikanische Schriftsteller ...

November 22 – 25 2016 – Sonologia Conference on Sound Studies, Sao Paolo

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November 22 – 25 2016 – Sonologia Conference on Sound Studies, Sao Paolo

  Paper presentation at Sonologia Conference 2016